Detail of Olaus Magnus’s 1539 Carta Marina showing ships surrounded by enormous imagined sea creatures in uncharted northern waters.

Here Be Lions

Mapmakers once filled unknown regions with lions and monsters. The phrase hic sunt leones did not appear everywhere, but the instinct did. Where knowledge ended, imagination supplied danger. We still do this. We draw lions around people we do not know, histories we avoid, and futures we cannot control. Political leaders exploit that instinct. They…

kintsugi (gold joinery) technique.

The Gold Between Us

A broken bowl is easy to discard. A kintsugi bowl asks a different question. What if the break is not the end of the story? In the Japanese art of kintsugi, shattered ceramics are repaired with lacquer mixed with powdered gold. The cracks are not concealed. They become part of the object’s history. Democracies break, too. Trust…

Artists: The Stakes Are Too High to Remain Passive

Whether you paint, write, design, or perform, we can out-imagine and outmaneuver political malevolence. Our nation’s creators were preemptive In 1787, 55 delegates sat in a sweltering Philadelphia room and drafted the United States Constitution. They didn’t just tweak an existing system; they designed a representative framework from scratch, balancing democratic participation with structural checks…

This image is a panel from "The Open Prairie," a mid-1990s LGBTQ-focused editorial cartoon series by cartoonist Joe Hoover. The caricature depicts conservative U.S. Senator Jesse Helms dressed in leather bondage gear and lederhosen under the headline "April Fool!"

Artists Have the Courage to Offend

Lately, I’ve been wondering whether journalists could be considered artists. I’ve come to the decision that they were not considered artists until Americans were dumbed-down by cable television, the media oligarchy, and the internet. All one needs to do is watch Fox News to witness a new absurdist theatre. In the history of real news, however, editorial cartoonists have…